Octopolis | Observatory Theatre
Intelligent, gripping, and gentle - ‘Octopolis’ by Marek Horn is the fascinating intersection between science and art.
This non-linear story follows a moment in the lives of scientists George and Harry and a friendly octopus named Frances. Woven between the dialogue that breaks the 4th wall at times, are interesting questions for the audience to ponder about science, religion, and sociology. Interestingly, the pair often talk through what would usually be the stage directions to the audience, narrating the movements of each other. Often this is done with a very detailed and nuanced understanding of each movement which invites the audience to consider each character’s perspective - even Frances’.
The Director, Bronwyn Nayler, effectively interpreted the deeper themes of the play and translated them in a palatable and engaging way for the audience. In particular, she fittingly translated the psychological burdens and internal conflicts that each character held.
With the assistance of the production Dramaturg, Lachlan Driscoll, these characters were heavily supported by social context and scientific intellect, making some difficult scientific concepts easily accessible to the audience.
Photography by Geoff Lawrence - Creative Futures Photography
Moments of dialogue were often broken up with choreographed dance breaks and well crafted intimacy. Choreographer, and Intimacy & Movement Coach, Sherri Smith, skillfully designed sequences that gently intertwined ocean metaphors with the emotional state of each character. Stage Manager, Libby Harrison, has a clear attention to detail with each moment of the production feeling precisely timed and intentionally executed.
The production design was clever and powerfully supported the theme. A true powerhouse in Brisbane independent theatre, Teddy Waddingham delivered exceptional lighting and video design for this production. Their lighting was especially intricate, captivating audiences from start to finish. Teddy’s skill made the theatre feel as if it was submerged in the ocean. With slight haze and soft pulsating lights, Teddy precisely curated the illusion of underwater light reflection. Lachlan Driscoll's sound design beautifully complemented the lighting, creating an ethereal and contemplative underwater atmosphere. Though there was no named set designer, the production's incredibly minimalistic set deserved significant recognition. It was a truly clever design, featuring a chair artfully distressed with what appeared to be algae, and carpet that added essential texture, all contributing to the pervasive atmosphere.
Photography by Geoff Lawrence - Creative Futures Photography
As a two-handed play, the pair demonstrated remarkable chemistry, feeding off each other's energy to forge a dynamic and compelling relationship. As George, Caroline Sparrow delivered a powerful performance that showcased the true nature of grief from a woman’s perspective. She fearlessly embraced the messiness often omitted from stage depictions of femininity, allowing George to express authentic anger, profound sadness, and gentle joy without reservation. Sparrow's nuanced characterization inadvertently made George a feminist icon, allowing the character to sincerely show up as she was. As Harry, Dudley Powell delivered a lively performance marked by strong stage presence. Powell's portrayal revealed a Harry who was both powerful and deeply vulnerable, exposing the character's internal struggles and weaknesses with a raw authenticity that created empathy with the audience.
With just one week remaining in its season, ‘Octopolis’ is a compelling play offering a fascinating look at the roles of science, culture, and religion in our world, leaving audiences with much to reflect on.
Production: Octopolis
Playwright: Marek Horn
Company: Observatory Theatre
Dates: 14th May 2025 - 24th May 2025
Venue: PIP Theatre, Milton